The multilingual text will be a stumbling block for many readers, but it’s a vivid portrait of a culture, with particular...
Adolescence, family issues, music and revolutionary politics all sink sharp hooks into a Filipino teenager at the beginning of the 21st century.
Related with a rich mixture of English, “Taglish” and Tagalog dialogue, Angel’s tale begins with the sudden loss of her Papang (father) and the ensuing departure of her Ináy (mother) for America. Switching time and locale halfway through, Angel flies from Manila to Chicago two years later, just before her 16th birthday, only to discover that she has a new stepfather and baby brother. In a narrative rush propelled by grief and anger, Angel chronicles hard times struggling to support herself, her little sister, Lila, and her grandmother Lola Ani while attending a convent school run by activist nuns who lead politicized students out in demonstrations against the Estrada regime. In Chicago, she conducts a cold war at home while facing culture shock and sparking a student walkout at her new school. In both countries, Angel is deeply embedded in webs of close-knit community and extended family. References to then-current politics mix with explicit, shocking testimonials from elders who were brutally used as “Comfort Women” by Japanese soldiers in World War II. Along with these, Galang folds Filipino food, dress, sights and customs into her narrative. As a result, and particularly because the meanings of the non-English lines and expressions are not always clear in context, events and characters are often outshone by their milieu.
The multilingual text will be a stumbling block for many readers, but it’s a vivid portrait of a culture, with particular focus on its women. (afterword, study questions) (Historical fiction. 14-18)Pub Date: Nov. 5, 2013
ISBN: 978-1-56689-333-6
Page Count: 304
Publisher: Coffee House
Review Posted Online: Oct. 29, 2013
Kirkus Reviews Issue: Nov. 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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