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ANGEL DE LA LUNA AND THE 5TH GLORIOUS MYSTERY

The multilingual text will be a stumbling block for many readers, but it’s a vivid portrait of a culture, with particular...

Adolescence, family issues, music and revolutionary politics all sink sharp hooks into a Filipino teenager at the beginning of the 21st century.

Related with a rich mixture of English, “Taglish” and Tagalog dialogue, Angel’s tale begins with the sudden loss of her Papang (father) and the ensuing departure of her Ináy (mother) for America. Switching time and locale halfway through, Angel flies from Manila to Chicago two years later, just before her 16th birthday, only to discover that she has a new stepfather and baby brother. In a narrative rush propelled by grief and anger, Angel chronicles hard times struggling to support herself, her little sister, Lila, and her grandmother Lola Ani while attending a convent school run by activist nuns who lead politicized students out in demonstrations against the Estrada regime. In Chicago, she conducts a cold war at home while facing culture shock and sparking a student walkout at her new school. In both countries, Angel is deeply embedded in webs of close-knit community and extended family. References to then-current politics mix with explicit, shocking testimonials from elders who were brutally used as “Comfort Women” by Japanese soldiers in World War II. Along with these, Galang folds Filipino food, dress, sights and customs into her narrative. As a result, and particularly because the meanings of the non-English lines and expressions are not always clear in context, events and characters are often outshone by their milieu.

The multilingual text will be a stumbling block for many readers, but it’s a vivid portrait of a culture, with particular focus on its women. (afterword, study questions) (Historical fiction. 14-18)

Pub Date: Nov. 5, 2013

ISBN: 978-1-56689-333-6

Page Count: 304

Publisher: Coffee House

Review Posted Online: Oct. 29, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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